Performer. Curator. Writer.
Louisa received her formal dance training in her home state of New Hampshire and is a graduate of the Certificate Program at Peridance Capezio Center, New York, NY. During her time in the program, she was selected to perform works by Igal Perry, Loni Landon, Ronald. K. Brown, Charlotta Ofverholm, Oniin Dance Company, and Caterina Rago. After completing the program, Louisa was part of the inaugural group at the Barton Movement's Axis Connect, where she performed an original work by Cindy Salgado. She has also performed professionally in New York with such choreographers as Yvonne Rainer for the Museum of Modern Art's Judson Dance Theater: The Work is Never Done exhibition, Diego Funes, Pat Catterson, Cleo Mack and Rock Dance Collective, Pramila Vasudevan, Michelle Thompson-Ulerich, Emily Bufferd, Jacqueline Dugal, Monica Hogan, Yuki Hasagawa, and Joyce King. Louisa's film work includes videos directed by The Kuperman Brothers and Gierre Godley. Most recently, Louisa premiered her own work, Strange Girl Dances: A Visual Duet with Melissa Stern, as part of a seven-episode collaboration with visual artist, Melissa Stern, at Garvey|Simon Gallery, New York, NY. Currently, she is performing with Smashworks Dance Collective, and collaborating with musician, Lando Chill. Louisa is also the rehearsal director for De Funes Dance. In addition to performing, Louisa holds her B.A. in English Literature and Art History from New York University, is a coach at Row House, Columbus Circle, and a trainer at Box + Flow. She is interested in finding the intersections between different mediums and modes of communication in all of her work.
Performance Reel 2019
Featuring work by Pat Catterson, Pramila Vasudevan, Diego Funes, Michelle Thompson Ulerich, Melissa Stern, Jacqui Dugal, and Monica Hogan. Edited lovingly by Jacqueline Donahue.
Melissa Stern in Art Speak
Art Speak, November 17, 2018
Melissa Stern discusses our collaboration with Yasemin Vargi:
My rule of thumb is I never censor an artist I collaborate with; with the exception of if it is in someway offensive. I’m tired of the passive relationship that art has with the public. When and wherever I have an exhibition I like to figure some sort of programming that we can do to make the room jump! I want to change how people respond and relate to artworks in galleries and museums. With this show, I‘ve also collaborated with a dancer/ choreographer and it was truly an extraordinary experience. I asked Louisa Pancoast, the dancer, to dance and respond to my work in any way she wanted. We devised it like a comic strip. Every day, for seven days, Louisa choreographed a 2-4 minute piece based on a combination of the attitude, the stance, the psychological vibe and/or the pose of several sculptures. They were filmed and put on Instagram and Facebook. Super fun.
The experience kind of mimicked the excitement of making the art -to see somebody responding in real time and creating another layer of art on top of mine. It’s something I would very much like to do again. I am not interested in monologue, I am interested in a dialogue and that’s what all of these engaged projects have lead to- dialogue between people, dialogue between the art and the public and finally… to this conversation.
Featured Listing: Melissa Stern Strange Girls at Garvey|Simon
Art Critical, November 2018
Today is not just the last day of Melissa Stern's Strange Girls but also the finale of gallery employee Louisa Pancoast's Terpsichorean interpretations of the assembled cast of sirens and showgirls, "Strange Girl Dances" (performance at noon). The dance series amped up the already above quotient raucous whimsicality found in Stern’s drawings, dolls and assemblages. An edgy aesthetic found in both artists, teetering between brazen and coy, was epitomized in a drawn-out moment of agony and ecstasy, a silent scream. DAVID COHEN
Strange Girls at Garvey|Simon
October 31, 2018
Written by Etty Yaniv for Art Spiel
An interview with Melissa Stern and Louisa Pancoast on their dance collaboration for Melissa Stern: Strange Girls at Garvey|Simon Gallery.
Review: The Humanity of Yvonne Rainer’s Natural and Peculiar Dances
September 18, 2018
Alastair Macaulay's New York Times review of Yvonne Rainer: Early Dances at the Museum of Modern Art's Judson Dance Theater: The Work is Never Done exhibition.
Review: MoMA Puts Judson Dance on Display and, Better Yet, in Motion
September 20, 2018
Gia Kourlas' New York Times review of Yvonne Rainer: Early Dances at the Museum of Modern Art's Judson Dance Theater: The Work Is Never Done exhibition.
Fresh events in the works!
Grant and publicity writing for dancers and choreographers
In addition to performing, Louisa has worked for both non-profit and commercial arts organizations as a writer. Her dual roles as artist and writer have given her a unique insight into translating the physical into the verbal. She offers grant and marketing writing on a freelance basis.